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Logroño

The Imperial Church of Santa María de Palacio, located in the heart of the old town, was founded in the 11th century, extended and renovated in the 16th, and rebuilt in the 18th. Divided into three naves, annexed are the cloister and the Chapel of Nuestra Señora de la Antigua. Over the central nave is a lantern popularly known as "la Aguja", (The Needle), the main altarpiece, by Arnao of Brussels, mid 16th century, and the statues of the Virgen del Ebro, Romanesque 12th century, and Virgen de la Antigua.

Today its cloister is a part of the Diocesan Museum.

Logroño

The Imperial Church of Santa María de Palacio, located in the heart of the old town, was founded in the 11th century, extended and renovated in the 16th, and rebuilt in the 18th. Divided into three naves, annexed are the cloister and the Chapel of Nuestra Señora de la Antigua. Over the central nave is a lantern popularly known as "la Aguja", (The Needle), the main altarpiece, by Arnao of Brussels, mid 16th century, and the statues of the Virgen del Ebro, Romanesque 12th century, and Virgen de la Antigua.

Today its cloister is a part of the Diocesan Museum.

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San Vicente de la Sonsierra

The parish church of San Vicente de la Sonsierra was built at the beginning of the 16th century within the fortified enclosure of the castle. The architectural style — variously called Late Gothic, Flamboyant Gothic or Catholic Monarchs style— displaced the romanesque and full gothic styles.

It is listed as a national monument since 1933. It consists of a nave with four aisles with shallow chapels between the buttresses, and an octagonal or polygonal somewhat narrower east end with seven sides. To the north, the sacristy has a 16th century section and another section which is baroque from the early 18th century. The high choir is on top of vaults with stellar ribbing on vaults of star-shaped vaults. It is is located at the west end, together with as seven-sided Tower. The entrance, located in the second-last section to the south, is flamboyant gothic and it is protected by a baroque portico.

San Vicente de la Sonsierra

The parish church of San Vicente de la Sonsierra was built at the beginning of the 16th century within the fortified enclosure of the castle. The architectural style — variously called Late Gothic, Flamboyant Gothic or Catholic Monarchs style— displaced the romanesque and full gothic styles.

It is listed as a national monument since 1933. It consists of a nave with four aisles with shallow chapels between the buttresses, and an octagonal or polygonal somewhat narrower east end with seven sides. To the north, the sacristy has a 16th century section and another section which is baroque from the early 18th century. The high choir is on top of vaults with stellar ribbing on vaults of star-shaped vaults. It is is located at the west end, together with as seven-sided Tower. The entrance, located in the second-last section to the south, is flamboyant gothic and it is protected by a baroque portico.

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Tricio

It is the most ancient religious monument of La Rioja. Its origin was a 3rd century Roman mausoleum, which was transformed into a Christian basilica in the 5th century, reusing architectural elements from the ancient Roman city of Tritium Megallum, Tritium the Great, which comprised the current towns of Tricio, Nájera and others.

Under the basilica floor 5th and 6th century early Christian tombs were found, as well as some reused Roman sarcophaguses belonging to I to III centuries AD, and other medieval ones; in addition to Roman funerary stelae and another Paleo-Christian one. At the top remains of late 12th century Romanesque paintings can be seen, repainted over the original 5th century early Christian ones.

The building has a basilical structure with longitudinal floor plan with three naves and a quadrangular head. The side naves are separated from the central one by arches supported by Corinthian columns made up of fragments of 1st century Roman columns. In the 18th century the interior of the basilica was covered with Baroque plasterwork. The original carving of the Virgen de Arcos, a pre-Romanesque black Virgin, from the 11th century, is now in the parish church of Tricio.

Tricio

It is the most ancient religious monument of La Rioja. Its origin was a 3rd century Roman mausoleum, which was transformed into a Christian basilica in the 5th century, reusing architectural elements from the ancient Roman city of Tritium Megallum, Tritium the Great, which comprised the current towns of Tricio, Nájera and others.

Under the basilica floor 5th and 6th century early Christian tombs were found, as well as some reused Roman sarcophaguses belonging to I to III centuries AD, and other medieval ones; in addition to Roman funerary stelae and another Paleo-Christian one. At the top remains of late 12th century Romanesque paintings can be seen, repainted over the original 5th century early Christian ones.

The building has a basilical structure with longitudinal floor plan with three naves and a quadrangular head. The side naves are separated from the central one by arches supported by Corinthian columns made up of fragments of 1st century Roman columns. In the 18th century the interior of the basilica was covered with Baroque plasterwork. The original carving of the Virgen de Arcos, a pre-Romanesque black Virgin, from the 11th century, is now in the parish church of Tricio.

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Ventosa

The Church of San Saturnino de Ventosa is on the top of a hill where the village centre is concentrated. Built in ashlar with a Latin cross plan and a rectangular head facing east, it has a single nave. At the foot, attached to the North façade, it has a square tower crowned with an eight facet pyramid, which was built in the 17th century in brick, on the previous ashlar stone base.

Its main altarpiece consists of a predella and two sections divided in five vertical parts, completed in the early 17th century, work of the architect Martín de Nalda and the sculptor from Arnedo Antonio de Zárraga, dedicating mainly the first section to San Saturnino and the second to the Virgin Mary; we must also highlight the representation of the Holy Trinity at the top and the Four Evangelists on the base. Among the religious images of worship, we can highlight: the 14th-century statue of recumbent Christ, Saint Roque (16th century) and St John the Baptist (18th century).

Ventosa

The Church of San Saturnino de Ventosa is on the top of a hill where the village centre is concentrated. Built in ashlar with a Latin cross plan and a rectangular head facing east, it has a single nave. At the foot, attached to the North façade, it has a square tower crowned with an eight facet pyramid, which was built in the 17th century in brick, on the previous ashlar stone base.

Its main altarpiece consists of a predella and two sections divided in five vertical parts, completed in the early 17th century, work of the architect Martín de Nalda and the sculptor from Arnedo Antonio de Zárraga, dedicating mainly the first section to San Saturnino and the second to the Virgin Mary; we must also highlight the representation of the Holy Trinity at the top and the Four Evangelists on the base. Among the religious images of worship, we can highlight: the 14th-century statue of recumbent Christ, Saint Roque (16th century) and St John the Baptist (18th century).
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