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Agoncillo

The Würth Museum has been designed as a 20th-21st avant-garde international contemporary arts scenario. Here the works belonging to the Würth España collection will be exhibited, as well as those of the Würth Collection from Germany, considered one of the main ones in Europe and collected thanks to the initiative of Professor Dr. h.c. Reinhold Würth since the 1960s.

Visit this website if you want to know more about current exhibitions. 

Agoncillo

The Würth Museum has been designed as a 20th-21st avant-garde international contemporary arts scenario. Here the works belonging to the Würth España collection will be exhibited, as well as those of the Würth Collection from Germany, considered one of the main ones in Europe and collected thanks to the initiative of Professor Dr. h.c. Reinhold Würth since the 1960s.

Visit this website if you want to know more about current exhibitions. 

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Aguilar del Río Alhama

Contrebia Leukade Visitors' Centre is an exhibition space where its different rooms evoke to the visitor, in an attractive and suggestive way, a city reinvented in a celtiberian world full of symbolism which reflects its everyday life, its customs,its military and strategic function, and the dreams and feelings of those who built it and lived there.

Divided in five rooms, it offers a vision of the celtiberian town: its physical location, its historical evolution, its military architecture, its houses, the animistic nature, its people, their stories... In this way,visitors will be captivated by the atmosphere of a historical period that turned this area of La Rioja and its people into one of the most attractive and imaginary places of the celtiberian world.

Aguilar del Río Alhama

Contrebia Leukade Visitors' Centre is an exhibition space where its different rooms evoke to the visitor, in an attractive and suggestive way, a city reinvented in a celtiberian world full of symbolism which reflects its everyday life, its customs,its military and strategic function, and the dreams and feelings of those who built it and lived there.

Divided in five rooms, it offers a vision of the celtiberian town: its physical location, its historical evolution, its military architecture, its houses, the animistic nature, its people, their stories... In this way,visitors will be captivated by the atmosphere of a historical period that turned this area of La Rioja and its people into one of the most attractive and imaginary places of the celtiberian world.

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Alesón

It is a small Visitors' Centre about the Chestnut Tree and chestnuts, where its evolution, values and uses are explained.

Chestnuts are a fruit traditionally rooted in our society of great nutritional and cultural value, but still very unknown gastronomically speaking.
The aim of this centre is to give this fruit the justice it deserves and make it known in all its aspects.
To do this, there is a series of explanatory panels, leaflets,an audio-visual reproduction, and gastronomic chestnut tasting sessions, roasted chestnuts or chestnut liqueur creams, etc.

In the same space is a small shop selling all kinds of products made from chestnuts, as well as related tools.

Alesón

It is a small Visitors' Centre about the Chestnut Tree and chestnuts, where its evolution, values and uses are explained.

Chestnuts are a fruit traditionally rooted in our society of great nutritional and cultural value, but still very unknown gastronomically speaking.
The aim of this centre is to give this fruit the justice it deserves and make it known in all its aspects.
To do this, there is a series of explanatory panels, leaflets,an audio-visual reproduction, and gastronomic chestnut tasting sessions, roasted chestnuts or chestnut liqueur creams, etc.

In the same space is a small shop selling all kinds of products made from chestnuts, as well as related tools.

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Alfaro

In Plaza España, at the top of a series of uninterrupted steps in the shape of a shell, rises the brick façade, a late 17th century Aragon Baroque masterpiece. It is flanked by two 50 m towers. Between the two, a central section. The lower part is divided by two large pillars.

Between them, three large arcades sheltering the monumental doorways corresponding to the main nave and the two side ones. The central part consists of a gallery featuring nine semicircular arches. The whole ensemble is crowned with the imafronte (elaborate main façade) of the main nave.

The towers consist of four sections, the first three square, the fourth octagonal. On each section, three pillars and eight, respectively, which lead to openings topped by semi-circular arches. The towers are finished off by spires.

Inside, a rectangular floorplan, there are three naves of equal height, separated by a series of brick pillars. from these pillars and the walls rise semicircular arches which support the vaults. Among the buttresses there is a long series of chapels dedicated to: Nuestra Señora del Rosario (at the head of the church), San José, de los Desposorios de Nuestra Señora, San Joaquín and Santa Ana, Santo Entierro, San Esteban, San Juan Bautista, Niño Jesús, Amor Hermoso, de las Animas, San Roque (with a beautiful Baroque sculpture of the saint) and Los Araciel (we must highlight the delicately carved and highly expressive sculpture of Our Lady of the Sorrows).

Special mention must also be made of:

Choir: access through a beautiful and monumental Baroque wrought iron railing, work of Sebastián de Medina. It is made of walnut wood and very profusely decorated. Two series of Saints are aligned following the order of the Litany, on two choir stalls, the upper consisting of 18 stalls plus the Abbot's; the lower 13 plus the semanero. It is a magnificent work by the sculptor Rubalcaba.

Main altarpiece of Saint Michael Archangel. Altarpiece-tabernacle in the shape of a large Baroque processional monstrance. The whole ensemble is crowned by a beautiful sculpture by Gregorio Fernández.

Sacristía. Pieces of great value are conserved. For example, a Baroque style, 17th century ivory crucifix, with an ebony base and details in silver.

Alfaro

In Plaza España, at the top of a series of uninterrupted steps in the shape of a shell, rises the brick façade, a late 17th century Aragon Baroque masterpiece. It is flanked by two 50 m towers. Between the two, a central section. The lower part is divided by two large pillars.

Between them, three large arcades sheltering the monumental doorways corresponding to the main nave and the two side ones. The central part consists of a gallery featuring nine semicircular arches. The whole ensemble is crowned with the imafronte (elaborate main façade) of the main nave.

The towers consist of four sections, the first three square, the fourth octagonal. On each section, three pillars and eight, respectively, which lead to openings topped by semi-circular arches. The towers are finished off by spires.

Inside, a rectangular floorplan, there are three naves of equal height, separated by a series of brick pillars. from these pillars and the walls rise semicircular arches which support the vaults. Among the buttresses there is a long series of chapels dedicated to: Nuestra Señora del Rosario (at the head of the church), San José, de los Desposorios de Nuestra Señora, San Joaquín and Santa Ana, Santo Entierro, San Esteban, San Juan Bautista, Niño Jesús, Amor Hermoso, de las Animas, San Roque (with a beautiful Baroque sculpture of the saint) and Los Araciel (we must highlight the delicately carved and highly expressive sculpture of Our Lady of the Sorrows).

Special mention must also be made of:

Choir: access through a beautiful and monumental Baroque wrought iron railing, work of Sebastián de Medina. It is made of walnut wood and very profusely decorated. Two series of Saints are aligned following the order of the Litany, on two choir stalls, the upper consisting of 18 stalls plus the Abbot's; the lower 13 plus the semanero. It is a magnificent work by the sculptor Rubalcaba.

Main altarpiece of Saint Michael Archangel. Altarpiece-tabernacle in the shape of a large Baroque processional monstrance. The whole ensemble is crowned by a beautiful sculpture by Gregorio Fernández.

Sacristía. Pieces of great value are conserved. For example, a Baroque style, 17th century ivory crucifix, with an ebony base and details in silver.

Finca de Ribavellosa

tipo de documento Attractions

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Almarza de Cameros

La Finca de Ribavellosa, with 200 hectares of surface area, situated in the municipal district of Almarza de Cameros, belongs to the Autonomous Body of National Parks (Ministry of Agriculture, Food and the Environment). It's a unique landscape of exceptional beauty and ecological wealth, accessible thanks to the almost 12 km ofself-guided trails open to the public and well-signposted. They are all easy access for mountaineers, families, hikers or cyclists, where you can see good examples of the major forest ecosystems of La Rioja (beech, pine, gall-oak, holm oak, …..).

Ribavellosa offers the visitor an ideal place to enjoy, understand and interpret the conditions of the natural environment, and learn to respect it. To do so, the property has numerous interpretive panels on vegetation and fauna, and with aVisitors' Centre and a small exhibition of natural elements.

The visitor can also make use of the facilities open to the public, such as strong>picnic areas
, sports facilities (with football fields, fronton court and basketball and indoor soccer courts), or thechildren's areafor our smallest visitors, also with specially adaptedtoilets.

Almarza de Cameros

La Finca de Ribavellosa, with 200 hectares of surface area, situated in the municipal district of Almarza de Cameros, belongs to the Autonomous Body of National Parks (Ministry of Agriculture, Food and the Environment). It's a unique landscape of exceptional beauty and ecological wealth, accessible thanks to the almost 12 km ofself-guided trails open to the public and well-signposted. They are all easy access for mountaineers, families, hikers or cyclists, where you can see good examples of the major forest ecosystems of La Rioja (beech, pine, gall-oak, holm oak, …..).

Ribavellosa offers the visitor an ideal place to enjoy, understand and interpret the conditions of the natural environment, and learn to respect it. To do so, the property has numerous interpretive panels on vegetation and fauna, and with aVisitors' Centre and a small exhibition of natural elements.

The visitor can also make use of the facilities open to the public, such as strong>picnic areas
, sports facilities (with football fields, fronton court and basketball and indoor soccer courts), or thechildren's areafor our smallest visitors, also with specially adaptedtoilets.

...

Anguiano

The name of the monastery, Valvanera, comes from a Latin expression, “Vallis Venaria” which means " “Valley of the veins of water" since the valley had lots of springs, streams and waterfalls.. The origin of the building of the shrine dates back to the discovery of a 9th-century image of Saint Mary by a repentant thief called Nuño Oñez, according to the “Historia Latina” written by the Abbot of Valvanera, Don Rodrigo de Castroviejo in 1419. It is the Latin translation of a 13th century text possibly written by Gonzalo de Berceo in the "vulgar mother" tongue.

The primitive community of hermit monks which built up around the discovery of the image in the 10th c. gave way to Benedictine friars. Originally, there was a Visigoth church, then a Pre-Romanesque one consecrated in 1073, another Romanesque one from 1183 of which only a tower remains standing, and finally the current 15th century church.

The main altar of the church holds the niche of the Virgin of Valvanera, which can be reached from the side. The upper part is presided over by a “Pantocrator” figure of Christ, and below there are figures representing St Peter, St Paul, St Benedict and St Atanasio.

The rest of the monastery is composed of 20th century buildings in honour of the Patron Saint of La Rioja. Homage is paid to Valvanera as the most important carving. The author and date of this work are unknown, but from its characteristics, it could be a sculpture in the Byzantine-Visigoth style. Its origin comes from the context of the renewed Marian fervour in Spain in the first half of the ninth century.

Anguiano

The name of the monastery, Valvanera, comes from a Latin expression, “Vallis Venaria” which means " “Valley of the veins of water" since the valley had lots of springs, streams and waterfalls.. The origin of the building of the shrine dates back to the discovery of a 9th-century image of Saint Mary by a repentant thief called Nuño Oñez, according to the “Historia Latina” written by the Abbot of Valvanera, Don Rodrigo de Castroviejo in 1419. It is the Latin translation of a 13th century text possibly written by Gonzalo de Berceo in the "vulgar mother" tongue.

The primitive community of hermit monks which built up around the discovery of the image in the 10th c. gave way to Benedictine friars. Originally, there was a Visigoth church, then a Pre-Romanesque one consecrated in 1073, another Romanesque one from 1183 of which only a tower remains standing, and finally the current 15th century church.

The main altar of the church holds the niche of the Virgin of Valvanera, which can be reached from the side. The upper part is presided over by a “Pantocrator” figure of Christ, and below there are figures representing St Peter, St Paul, St Benedict and St Atanasio.

The rest of the monastery is composed of 20th century buildings in honour of the Patron Saint of La Rioja. Homage is paid to Valvanera as the most important carving. The author and date of this work are unknown, but from its characteristics, it could be a sculpture in the Byzantine-Visigoth style. Its origin comes from the context of the renewed Marian fervour in Spain in the first half of the ninth century.

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Arnedillo

There are 5 thematic blocks (panels and audiovisuals) on Biosphere, Water, Cultural Heritage, Industrialization,  Fiesta and Tradition. There are also games for children. 

Arnedillo

There are 5 thematic blocks (panels and audiovisuals) on Biosphere, Water, Cultural Heritage, Industrialization,  Fiesta and Tradition. There are also games for children. 

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Arnedo

Collection of minerals and fossils, prehistoric tools and teaching material.

Arnedo

Collection of minerals and fossils, prehistoric tools and teaching material.

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Gimileo

AFRA is a non-profit organization which aims to disseminate railway culture and bring it closer to society

ACTIVITIES AND SERVICES:
– Travel by train along the 600m of track; passing under the footbridge, over the metal bridge and through the tunnel.

– The Park has a large garden area and a clubhouse with a terrace where you can have a drink.

– The ideal place for holding a children's birthday party. CALL FOR MORE INFORMATION.

INFORMATION:
For any doubt or clarification please call us on:
696 527561 y 609 453178
e-mail: afratren@telefonica.net
www.afraharo.com

EDUCATIONAL OFFER (for schools):

– Visit the Park where you will receive an informative talk on means of transportation, the environmental impact they cause, the history of the railway…

– On the circuit you'll see how a train is driven, how it works and its characteristics, and travel in it.

Visiting Times:
Sundays and holidays, from 11:00 to 14:00
· For Groups (schools, birthday parties, celebrations, …) Monday to Sunday by appointment.

AFICIONADOS AL FERROCARRILDE LA RIOJA ALTA
Pepe Blanco 7, Bajo - Logroño

Gimileo

AFRA is a non-profit organization which aims to disseminate railway culture and bring it closer to society

ACTIVITIES AND SERVICES:
– Travel by train along the 600m of track; passing under the footbridge, over the metal bridge and through the tunnel.

– The Park has a large garden area and a clubhouse with a terrace where you can have a drink.

– The ideal place for holding a children's birthday party. CALL FOR MORE INFORMATION.

INFORMATION:
For any doubt or clarification please call us on:
696 527561 y 609 453178
e-mail: afratren@telefonica.net
www.afraharo.com

EDUCATIONAL OFFER (for schools):

– Visit the Park where you will receive an informative talk on means of transportation, the environmental impact they cause, the history of the railway…

– On the circuit you'll see how a train is driven, how it works and its characteristics, and travel in it.

Visiting Times:
Sundays and holidays, from 11:00 to 14:00
· For Groups (schools, birthday parties, celebrations, …) Monday to Sunday by appointment.

AFICIONADOS AL FERROCARRILDE LA RIOJA ALTA
Pepe Blanco 7, Bajo - Logroño

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Logroño

At the Centro de Interpretación de la Apicultura de Campomiel  our aim is to bring people closer in a natural way to the wonderful world of bees. With our proposals, besides learning, visitors enjoy an unforgettable experience.

At the Visitors' Centre you can see the whole process of elaboration of our bee products and participate in tastings and workshops with professionals.

We make guided visits to the Apiary to observe bees and beekeepers working in their natural environment.

We have a shop selling products and souvenirs.

ACTIVITIES:
Guided visits to the Apiary.
Introduction to Apiculture courses,
Commented honey tasting sessions.
Practice training workshops. And beekeeping advice.
Sale of ecological honey, propolis, honey, pollen, honey pomace, creams.

Logroño

At the Centro de Interpretación de la Apicultura de Campomiel  our aim is to bring people closer in a natural way to the wonderful world of bees. With our proposals, besides learning, visitors enjoy an unforgettable experience.

At the Visitors' Centre you can see the whole process of elaboration of our bee products and participate in tastings and workshops with professionals.

We make guided visits to the Apiary to observe bees and beekeepers working in their natural environment.

We have a shop selling products and souvenirs.

ACTIVITIES:
Guided visits to the Apiary.
Introduction to Apiculture courses,
Commented honey tasting sessions.
Practice training workshops. And beekeeping advice.
Sale of ecological honey, propolis, honey, pollen, honey pomace, creams.

...

Logroño

The Church-Cathedral of Santa María de la Redonda is located on one of the city's main streets, Calle Portales, built on the site of a 12th-century oratory. Work began in the 15th century, being extended and reformed until the 18th. The main facade is sculpted like an altarpiece and closed by a large wrought-iron fence. The towers, known as "las gemelas", (The Twins), an example of the Baroque style in La Rioja, are related with others in La Rioja due to their designer, Martín de Beratúa.

divided into three naves separated by large cylindrical columns and ambulatory. The most representative elements are: a picture of the Crucifixion of Christ, attributed to Michelangelo; the tomb of General Espartero and his wife, Dña. Jacinta Martínez de Sicilia; the exceptional wrought iron railings closing the side chapels; and the Santo Sepulcro (Holy Sepulchre) in the Chapel of Nuestra Señora de los Ángeles, with splendid details in tortoiseshell, filigree silver and wood. 

Logroño

The Church-Cathedral of Santa María de la Redonda is located on one of the city's main streets, Calle Portales, built on the site of a 12th-century oratory. Work began in the 15th century, being extended and reformed until the 18th. The main facade is sculpted like an altarpiece and closed by a large wrought-iron fence. The towers, known as "las gemelas", (The Twins), an example of the Baroque style in La Rioja, are related with others in La Rioja due to their designer, Martín de Beratúa.

divided into three naves separated by large cylindrical columns and ambulatory. The most representative elements are: a picture of the Crucifixion of Christ, attributed to Michelangelo; the tomb of General Espartero and his wife, Dña. Jacinta Martínez de Sicilia; the exceptional wrought iron railings closing the side chapels; and the Santo Sepulcro (Holy Sepulchre) in the Chapel of Nuestra Señora de los Ángeles, with splendid details in tortoiseshell, filigree silver and wood. 
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