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149 results

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Alfaro

Especializada en el cultivo y la producción orgánica de aceite de oliva virgen extra, Almazara Ecológica de La Rioja es una empresa de propiedad familiar gestionada por tres hermanos en sus propias tierras agrícolas. Fundada en Alfaro en 1999, la almazara comercializa sus aceites en países de todo el mundo, entre otros Estados Unidos, Japón, Bélgica, Holanda, Luxemburgo, Dinamarca, Francia y China. Con sus marcas Graccurris, Isul y Plenilunio se presenta un monovarietal de arbequina ecológico de calidad reconocida en prestigiosos concursos de aceite del panorama nacional e internacional.

Alfaro

Especializada en el cultivo y la producción orgánica de aceite de oliva virgen extra, Almazara Ecológica de La Rioja es una empresa de propiedad familiar gestionada por tres hermanos en sus propias tierras agrícolas. Fundada en Alfaro en 1999, la almazara comercializa sus aceites en países de todo el mundo, entre otros Estados Unidos, Japón, Bélgica, Holanda, Luxemburgo, Dinamarca, Francia y China. Con sus marcas Graccurris, Isul y Plenilunio se presenta un monovarietal de arbequina ecológico de calidad reconocida en prestigiosos concursos de aceite del panorama nacional e internacional.

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Alfaro

In Plaza España, at the top of a series of uninterrupted steps in the shape of a shell, rises the brick façade, a late 17th century Aragon Baroque masterpiece. It is flanked by two 50 m towers. Between the two, a central section. The lower part is divided by two large pillars.

Between them, three large arcades sheltering the monumental doorways corresponding to the main nave and the two side ones. The central part consists of a gallery featuring nine semicircular arches. The whole ensemble is crowned with the imafronte (elaborate main façade) of the main nave.

The towers consist of four sections, the first three square, the fourth octagonal. On each section, three pillars and eight, respectively, which lead to openings topped by semi-circular arches. The towers are finished off by spires.

Inside, a rectangular floorplan, there are three naves of equal height, separated by a series of brick pillars. from these pillars and the walls rise semicircular arches which support the vaults. Among the buttresses there is a long series of chapels dedicated to: Nuestra Señora del Rosario (at the head of the church), San José, de los Desposorios de Nuestra Señora, San Joaquín and Santa Ana, Santo Entierro, San Esteban, San Juan Bautista, Niño Jesús, Amor Hermoso, de las Animas, San Roque (with a beautiful Baroque sculpture of the saint) and Los Araciel (we must highlight the delicately carved and highly expressive sculpture of Our Lady of the Sorrows).

Special mention must also be made of:

Choir: access through a beautiful and monumental Baroque wrought iron railing, work of Sebastián de Medina. It is made of walnut wood and very profusely decorated. Two series of Saints are aligned following the order of the Litany, on two choir stalls, the upper consisting of 18 stalls plus the Abbot's; the lower 13 plus the semanero. It is a magnificent work by the sculptor Rubalcaba.

Main altarpiece of Saint Michael Archangel. Altarpiece-tabernacle in the shape of a large Baroque processional monstrance. The whole ensemble is crowned by a beautiful sculpture by Gregorio Fernández.

Sacristía. Pieces of great value are conserved. For example, a Baroque style, 17th century ivory crucifix, with an ebony base and details in silver.

Alfaro

In Plaza España, at the top of a series of uninterrupted steps in the shape of a shell, rises the brick façade, a late 17th century Aragon Baroque masterpiece. It is flanked by two 50 m towers. Between the two, a central section. The lower part is divided by two large pillars.

Between them, three large arcades sheltering the monumental doorways corresponding to the main nave and the two side ones. The central part consists of a gallery featuring nine semicircular arches. The whole ensemble is crowned with the imafronte (elaborate main façade) of the main nave.

The towers consist of four sections, the first three square, the fourth octagonal. On each section, three pillars and eight, respectively, which lead to openings topped by semi-circular arches. The towers are finished off by spires.

Inside, a rectangular floorplan, there are three naves of equal height, separated by a series of brick pillars. from these pillars and the walls rise semicircular arches which support the vaults. Among the buttresses there is a long series of chapels dedicated to: Nuestra Señora del Rosario (at the head of the church), San José, de los Desposorios de Nuestra Señora, San Joaquín and Santa Ana, Santo Entierro, San Esteban, San Juan Bautista, Niño Jesús, Amor Hermoso, de las Animas, San Roque (with a beautiful Baroque sculpture of the saint) and Los Araciel (we must highlight the delicately carved and highly expressive sculpture of Our Lady of the Sorrows).

Special mention must also be made of:

Choir: access through a beautiful and monumental Baroque wrought iron railing, work of Sebastián de Medina. It is made of walnut wood and very profusely decorated. Two series of Saints are aligned following the order of the Litany, on two choir stalls, the upper consisting of 18 stalls plus the Abbot's; the lower 13 plus the semanero. It is a magnificent work by the sculptor Rubalcaba.

Main altarpiece of Saint Michael Archangel. Altarpiece-tabernacle in the shape of a large Baroque processional monstrance. The whole ensemble is crowned by a beautiful sculpture by Gregorio Fernández.

Sacristía. Pieces of great value are conserved. For example, a Baroque style, 17th century ivory crucifix, with an ebony base and details in silver.

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Alfaro

Testimony to the lush vegetation which accompanied the winding course of the Ebro, where the riverbanks today represent privileged redoubts for wildlife. What in olden days must have constituted a wide, extensive riverbank passage following the Ebro on both banks today is broken up into stretches. Tiny enclaves with rich diversity.Entering deep into the thickets or approaching banks and beaches, means entering one of the richest and most varied ecosystems of our territory.

Permanent exhibition and projection which tackles the nature reserve of the Riverbanks of the Ebro, the stork colony and the history of Alfaro.

Alfaro

Testimony to the lush vegetation which accompanied the winding course of the Ebro, where the riverbanks today represent privileged redoubts for wildlife. What in olden days must have constituted a wide, extensive riverbank passage following the Ebro on both banks today is broken up into stretches. Tiny enclaves with rich diversity.Entering deep into the thickets or approaching banks and beaches, means entering one of the richest and most varied ecosystems of our territory.

Permanent exhibition and projection which tackles the nature reserve of the Riverbanks of the Ebro, the stork colony and the history of Alfaro.

Finca de Ribavellosa

tipo de documento Landscapes

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Almarza de Cameros

La Finca de Ribavellosa, with 200 hectares of surface area, situated in the municipal district of Almarza de Cameros, belongs to the Autonomous Body of National Parks (Ministry of Agriculture, Food and the Environment). It's a unique landscape of exceptional beauty and ecological wealth, accessible thanks to the almost 12 km ofself-guided trails open to the public and well-signposted. They are all easy access for mountaineers, families, hikers or cyclists, where you can see good examples of the major forest ecosystems of La Rioja (beech, pine, gall-oak, holm oak, …..).

Ribavellosa offers the visitor an ideal place to enjoy, understand and interpret the conditions of the natural environment, and learn to respect it. To do so, the property has numerous interpretive panels on vegetation and fauna, and with aVisitors' Centre and a small exhibition of natural elements.

The visitor can also make use of the facilities open to the public, such as strong>picnic areas
, sports facilities (with football fields, fronton court and basketball and indoor soccer courts), or thechildren's areafor our smallest visitors, also with specially adaptedtoilets.

Almarza de Cameros

La Finca de Ribavellosa, with 200 hectares of surface area, situated in the municipal district of Almarza de Cameros, belongs to the Autonomous Body of National Parks (Ministry of Agriculture, Food and the Environment). It's a unique landscape of exceptional beauty and ecological wealth, accessible thanks to the almost 12 km ofself-guided trails open to the public and well-signposted. They are all easy access for mountaineers, families, hikers or cyclists, where you can see good examples of the major forest ecosystems of La Rioja (beech, pine, gall-oak, holm oak, …..).

Ribavellosa offers the visitor an ideal place to enjoy, understand and interpret the conditions of the natural environment, and learn to respect it. To do so, the property has numerous interpretive panels on vegetation and fauna, and with aVisitors' Centre and a small exhibition of natural elements.

The visitor can also make use of the facilities open to the public, such as strong>picnic areas
, sports facilities (with football fields, fronton court and basketball and indoor soccer courts), or thechildren's areafor our smallest visitors, also with specially adaptedtoilets.

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Anguciana

Castillo de Señorío, situado junto al puente sobre el río Tirón, de planta rectangular, con aspilleras, troneras y matacán corrido rematado en almenas.
Época: Siglos XIV y XV
Propiedad: Particular
Visitable: No, Castillo de Señorío, situated next to the bridge over the River Tirón, rectangular floor plan, with loopholes, embrasures and machicolation topped battlements.
Period:
Property: Private
Open to the public: No

Anguciana

Castillo de Señorío, situado junto al puente sobre el río Tirón, de planta rectangular, con aspilleras, troneras y matacán corrido rematado en almenas.
Época: Siglos XIV y XV
Propiedad: Particular
Visitable: No, Castillo de Señorío, situated next to the bridge over the River Tirón, rectangular floor plan, with loopholes, embrasures and machicolation topped battlements.
Period:
Property: Private
Open to the public: No

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Anguiano

The name of the monastery, Valvanera, comes from a Latin expression, “Vallis Venaria” which means " “Valley of the veins of water" since the valley had lots of springs, streams and waterfalls.. The origin of the building of the shrine dates back to the discovery of a 9th-century image of Saint Mary by a repentant thief called Nuño Oñez, according to the “Historia Latina” written by the Abbot of Valvanera, Don Rodrigo de Castroviejo in 1419. It is the Latin translation of a 13th century text possibly written by Gonzalo de Berceo in the "vulgar mother" tongue.

The primitive community of hermit monks which built up around the discovery of the image in the 10th c. gave way to Benedictine friars. Originally, there was a Visigoth church, then a Pre-Romanesque one consecrated in 1073, another Romanesque one from 1183 of which only a tower remains standing, and finally the current 15th century church.

The main altar of the church holds the niche of the Virgin of Valvanera, which can be reached from the side. The upper part is presided over by a “Pantocrator” figure of Christ, and below there are figures representing St Peter, St Paul, St Benedict and St Atanasio.

The rest of the monastery is composed of 20th century buildings in honour of the Patron Saint of La Rioja. Homage is paid to Valvanera as the most important carving. The author and date of this work are unknown, but from its characteristics, it could be a sculpture in the Byzantine-Visigoth style. Its origin comes from the context of the renewed Marian fervour in Spain in the first half of the ninth century.

Anguiano

The name of the monastery, Valvanera, comes from a Latin expression, “Vallis Venaria” which means " “Valley of the veins of water" since the valley had lots of springs, streams and waterfalls.. The origin of the building of the shrine dates back to the discovery of a 9th-century image of Saint Mary by a repentant thief called Nuño Oñez, according to the “Historia Latina” written by the Abbot of Valvanera, Don Rodrigo de Castroviejo in 1419. It is the Latin translation of a 13th century text possibly written by Gonzalo de Berceo in the "vulgar mother" tongue.

The primitive community of hermit monks which built up around the discovery of the image in the 10th c. gave way to Benedictine friars. Originally, there was a Visigoth church, then a Pre-Romanesque one consecrated in 1073, another Romanesque one from 1183 of which only a tower remains standing, and finally the current 15th century church.

The main altar of the church holds the niche of the Virgin of Valvanera, which can be reached from the side. The upper part is presided over by a “Pantocrator” figure of Christ, and below there are figures representing St Peter, St Paul, St Benedict and St Atanasio.

The rest of the monastery is composed of 20th century buildings in honour of the Patron Saint of La Rioja. Homage is paid to Valvanera as the most important carving. The author and date of this work are unknown, but from its characteristics, it could be a sculpture in the Byzantine-Visigoth style. Its origin comes from the context of the renewed Marian fervour in Spain in the first half of the ninth century.

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Arnedillo

Situated in the former quarry loading area, 800 m from Arnedillo. It is a centre for observing and interpreting the booted eagle which is unique in Europe.


In 2002 it was given first prize for "Sustainable tourism in protected natural spaces", awarded by EUROPARC-Spain ( European Association of Nature Parks).


From the centre visitors can watch the behaviour of the colony of booted eagles and their chicks live, via a monitor screen installed in the room which shows the images transmitted by a radio-controlled video camera on the cliff face.


The centre is home to a complete dusplay of the biology of wild fauna found in the area, with special attention to the booted eagle. It also offers the chance to observe the different habitats of the area through telescopes and binoculars.

Arnedillo

Situated in the former quarry loading area, 800 m from Arnedillo. It is a centre for observing and interpreting the booted eagle which is unique in Europe.


In 2002 it was given first prize for "Sustainable tourism in protected natural spaces", awarded by EUROPARC-Spain ( European Association of Nature Parks).


From the centre visitors can watch the behaviour of the colony of booted eagles and their chicks live, via a monitor screen installed in the room which shows the images transmitted by a radio-controlled video camera on the cliff face.


The centre is home to a complete dusplay of the biology of wild fauna found in the area, with special attention to the booted eagle. It also offers the chance to observe the different habitats of the area through telescopes and binoculars.

...

Arnedillo

Torre fuerte del antiguo castillo, y lienzo de muralla en la montaña.
Época: Siglo XII
Propiedad: Municipal
Visitable: Libre acceso, Fortress Tower of the old castle, and stretch of wall on the hillside.
Period: 12th century
Property: Municipal
Open to the public: Free admission

Arnedillo

Torre fuerte del antiguo castillo, y lienzo de muralla en la montaña.
Época: Siglo XII
Propiedad: Municipal
Visitable: Libre acceso, Fortress Tower of the old castle, and stretch of wall on the hillside.
Period: 12th century
Property: Municipal
Open to the public: Free admission

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Arnedillo

There are 5 thematic blocks (panels and audiovisuals) on Biosphere, Water, Cultural Heritage, Industrialization,  Fiesta and Tradition. There are also games for children. 

Arnedillo

There are 5 thematic blocks (panels and audiovisuals) on Biosphere, Water, Cultural Heritage, Industrialization,  Fiesta and Tradition. There are also games for children. 

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Arnedo

Display of tools and utensils related to the shoemaker's craft.

Arnedo

Display of tools and utensils related to the shoemaker's craft.

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Arnedo

Collection of minerals and fossils, prehistoric tools and teaching material.

Arnedo

Collection of minerals and fossils, prehistoric tools and teaching material.

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Arnedo

Remains of a powerful red sandstone fortress.
Period: 9th and 10th centuries
Property: Municipal
Open to the public: Free admission

Arnedo

Remains of a powerful red sandstone fortress.
Period: 9th and 10th centuries
Property: Municipal
Open to the public: Free admission